Time-jewelry by Krisztina Németh strives to achieve an expression which, due to its universality, everybody can make a sense of for oneself.
With elemental sensitivity and discipline, the office of José María Sánchez García made the Roman temple and its square again the organic part of the town and the cultural memory.
Ekwall’s stool rehabilitates the relationship with our objects which—as opposed to today’s—seems deeper: it may never existed but is surely desired.
The furniture series by JamesPlumb examines the symbolical issues of material culture with the tool of narrativity, in which alternative recycling and extremely different materials play central roles.
RO&AD offers a theatrical journey into the water through collective memory with their highly sophisticated submerged bridge.
CuldeSac’s 2011 series for Valentine is an extraordinary collection, which questions the basic assumptions underlying the creation and consumption of contemporary visual culture.